. . . the syncopation on the kinubi and percussion instruments, and Lark's clear unaffected voice singing in Swahili establish a mood that is both fresh and new and so ancient that it touches the core of being.
Verlene Schermer - The Reel Fling
Benicia Community Arts
P.0. Box 454
Benicia, CA 94510
707- 745- ARTS
June 12, 1995
Dear Kris and Lark,
Thank you so much for your participation at this year’s Festival of Arts in the Park in Benicia.
Consensus has it that this year’s event was the best of all our 15 years. Surely we have it in our memories as wrapped in gossamer, a truly special day.
We enclose a check and a copy of the program in which you are mentioned, also news clippings on the event (later).
We hope to be able to see you at another Arts in the Park. Thanks again for your presence this year.
Sincerely, (signed)
Bonnie Weidel, Chair
Festival of Arts in the Park, 1995, Benicia
p.s. We are still hearing what a fine way to star the day with Kuimba — you did fill the Park! Thanks, (signed)
B.
Bonnie Weidel - Festival of Arts in the Park, Benicia, CA, USA
Mawingu…I Remember Africa by Kuimba
The creative partnership of Kris and Lark Bowerman is Kuimba. This new CD release of their 1990/91 cassette recording of Mawingu…I Remember Africa, draws its inspiration from Lark’s childhood and youth among the… tribes of Northeastern Zaire [the present day Democratic Republic of Congo – editor’s note].
Images of Africa… the people, plains mountains, clouds and creatures… blend together into a soulful audio-tapestry ranging from magnetic and joyful compositions like Hakuna Matata to mysterious folk-jazz moods like Majesty. The inclusion of personal, on-site recordings made by Lark and Kris of the Forest People [Wambuti] singing and talking at home adds another mythic layer to this multi-dimensional release.
Featured on the album are several kinubi (kee noo’ bee), small Zairian [Congolese] bow harps, that create beautiful plucked string sounds, as well as a “conventional” Celtic harp. This is an unusual and sensitively crafted concept album with equal elements of contemporary musical style and “far memory.”
International Folk Harp Journal
Summer 1994, Issue No. 84
Adam Christiansen - Folk Harp Journal
There is the occasional music . . . that, like the true original in any field of endeavor, transcends both categories and the need for them and sets its own standards. Such is the music of Kuimba . . . It has a way of lifting away cares and awarness of external noises, soothing you to a place in the calm center within yourself where nothing remains but a deep sense of well-being. Lark’s voice . . . rings clear and pure as a chime. . . Kris’s tenor blends so well with her soprano that their vocal harmonies are like one voice sounding in two places.
Maraji Gwynallen - Renewal
African instruments sparkle within the flow of Kuimba's world beat contemporary sound. Creative, original blendings of instruments and voices provide a unique and richly satisfying musical opportunity. Combining ethnic music with contemporary sound could be tricky, but it is done successfully here, achieving a mood of depth and beauty.
Acacia - Heartsong Review
We truly enjoyed the rarity of music brought to us by Kuimba. We feel fortunate to have been "transported" to Africa and back by this exciting duo.
Janet Scoubes - Elgin Arts Counci
A NEW CD FROM KUIMBA!
Salimu! Heshimu!
Many Harpers Hallers remember Lark and Kris Bowerman from the magical concert and workshop they presented to us in 1999. Lark played a variety of African harps for us as well as folk harp and taught us a song in Swahili. During the workshop, we had a wonderful time learning about improvisation from Kris and Lark.
Lark writes songs in Congo Swahili or Kingwana (a dialect of Swahili that was spoken in the region where Lark was born and raised) and plays all sorts of harps on this new CD, Salimu! Heshimu! (which translates Greet! Honor!) She plays the kinubi (Congolese bow harp), the Tanzania (Nyamwezi cow herder’s harp), the Kalimba (thumb harp) and also the folk harp. Kris adds flutes, recorder, and all kinds of percussion – and both sing. In the CD booklet they have included the words phonetically in Congo Swahili or Kingwana as well as the English translation. I found myself wanting to sing along to several of the songs and the printed lyrics made that possible. There are also stories or a bit of background for each song.
Many of the tracks feature one kind of harp or another, but there are also some great tracks that are primarily percussion. A few of the tracks were recorded in the Congo in 1990, but most were recorded in the Summer and Fall of 2000. Four of the 14 tracks are instrumental, and the rest have singing both by Lark and Kris, with some backup vocals by the Hayfork Village Singers. The general tone of the CD is that of celebration ¬– celebrating life, creativity, and beauty. From the very first track, the syncopation on the kinubi and percussion instruments, and Lark’s clear unaffected voice singing in Swahili establish a mood that is both fresh and new and so ancient that it touches the core of being.
This CD is a delight to listen to – get ready to be transported to the forests and jungles of Africa and experience a real sense of the joy of the indigenous people of the Congo.
Verlene Schermer
The Reel Fling
March, 2001
Verlene Schermer - The Reel Fling (full review) (Mar, 2001)
Kuimba weaves a magical spell with their enchanting melodies, mesmerizing harmonies, and penetrating lyrics. The music is at once universal and uniquely personal . . . the musicians share themselves with their audiences in an intimate and moving manner.
Julia J. Heydon, PhD. Music - Former Music Director, Oregon Shakespearean Festival
(Kuimba's) original music heightened my appreciation of the universality of music. Lark's authentic African folk vocal timbre shows her regional roots.
Theonie Gilmore - Executive Director, M.U.S.I.C., Inc.
Kris and Lark’s breadth of tone color and variety of texture kept me constantly engaged as they switched smoothly from instrument to instrument, from instrumentals to vocals . . . seldom have I wanted to hear a group twice in four days; Kuimba weaves a spell that beckons me back, that in a way, beckons me home.
Michael A. Bardossi - Former Associate Music Director, Oregon Shakespearean Festival